"When I was in high school, I noticed that many of the older writers I admired ended up working either in design or tattooing. As soon as I got my own computer, I downloaded Illustrator to bring my graffiti into digital form—and from that moment, I never stopped.

Saying “I’ve made my mark” feels like a strong statement. From my perspective, being a graphic designer is often a discreet job, one where you don’t necessarily take much credit, even though you pour passion into every project. So far, the most complete work I’ve brought to life has been the graphic project for IO NESSUNO by centomilacarie.

It was incredible to collaborate with photographers and directors to build a shared visual world, working with custom-made assets created just for the project. When you feel the trust of a team and can let yourself experiment—when you reach that state of flow where you stop checking the clock—that’s when you know you’re really creating something.

Above all, graffiti shaped me. It was the spark that allowed me to learn a visual language, even while surrounded by an environment full of science and numbers. I owe a lot to that culture. Even though I’m no longer part of it, the images I create still share the same codes and logic.

My dream for the future? To stop using the computer. I love creating, but I’d like to experience my work in the physical world: working more with materials, touching the forms, and bringing ideas into reality."